Museum Ticket Ephemera Wash
Six ticket stubs and one folded gallery map, unified with a dilute acrylic wash that pulls seven different paper tones into one family without hiding a single printed word.
Tape label
Every published spread, supply note and prompt filed under Colour.
8 published, newest first.
Six ticket stubs and one folded gallery map, unified with a dilute acrylic wash that pulls seven different paper tones into one family without hiding a single printed word.
A timer, one colour family and a rule against undoing anything. The point is not the page you make in ten minutes — it is finding out which decisions you make twice.
One spread, two colours, five elements. The discipline is not in removing things but in refusing to add a third tone when the page feels empty.
For one spread, nothing may come from a shop. Everything must be paper that would otherwise have been thrown away, and it must be recognisable as what it was.
Eight empty seed packets arranged by sowing month rather than by colour — the page becomes a planting calendar you can read at a glance without a single word of annotation.
One magazine clipping at 38 mm, one cut-out word at 11 mm, and 89% of the page left empty. A five-minute spread that is far harder than it sounds.
Both make paper look old. One sits on the surface and never moves again; the other soaks in and keeps moving for twenty minutes. Choosing the wrong one is how a spread ends up warped.
Build a spread from four fixed hex values — #D9A5A0, #D8B15B, #8FA3B0, #E8DCC8 — with no pure white and no pure black anywhere on the page.
Also filed under: LayeringEphemeraAdhesivesPaper stockConstraintsToolsInk & paintPockets