Ten Minutes, One Colour
A timer, one colour family and a rule against undoing anything. The point is not the page you make in ten minutes — it is finding out which decisions you make twice.
Tape label
Every published spread, supply note and prompt filed under Constraints.
8 published, newest first.
A timer, one colour family and a rule against undoing anything. The point is not the page you make in ten minutes — it is finding out which decisions you make twice.
One spread, two colours, five elements. The discipline is not in removing things but in refusing to add a third tone when the page feels empty.
For one spread, nothing may come from a shop. Everything must be paper that would otherwise have been thrown away, and it must be recognisable as what it was.
A hand-laid grid of masking tape divides the page into nine unequal cells, each holding one scrap — and the tape stays visible as the structure instead of being hidden under the paper.
Count every layer, including the base. Seven total, no more and no fewer, and the seventh must be something you would normally throw away.
One magazine clipping at 38 mm, one cut-out word at 11 mm, and 89% of the page left empty. A five-minute spread that is far harder than it sounds.
Forty small receipts cut into confetti-sized pieces and scattered, then selectively glued — 14 fixed, 26 left loose under a stitched acetate window.
Build a spread from four fixed hex values — #D9A5A0, #D8B15B, #8FA3B0, #E8DCC8 — with no pure white and no pure black anywhere on the page.
Also filed under: LayeringEphemeraAdhesivesPaper stockColourToolsInk & paintPockets