Ticket Stub Layer Cake
Eleven ticket stubs from one summer stacked in a single column, each one 4 mm shorter than the one beneath it so the whole pile still closes flat in a 200 gsm notebook.
Tape label
Every published spread, supply note and prompt filed under Ephemera.
8 published, newest first.
Eleven ticket stubs from one summer stacked in a single column, each one 4 mm shorter than the one beneath it so the whole pile still closes flat in a 200 gsm notebook.
Six decorative papers torn by hand, by steel rule and by a wet brush line. Two of them tear in a straight line every time; the other four need water if you want a controlled edge.
Six ticket stubs and one folded gallery map, unified with a dilute acrylic wash that pulls seven different paper tones into one family without hiding a single printed word.
For one spread, nothing may come from a shop. Everything must be paper that would otherwise have been thrown away, and it must be recognisable as what it was.
Eight empty seed packets arranged by sowing month rather than by colour — the page becomes a planting calendar you can read at a glance without a single word of annotation.
Count every layer, including the base. Seven total, no more and no fewer, and the seventh must be something you would normally throw away.
Forty small receipts cut into confetti-sized pieces and scattered, then selectively glued — 14 fixed, 26 left loose under a stitched acetate window.
Build a spread from four fixed hex values — #D9A5A0, #D8B15B, #8FA3B0, #E8DCC8 — with no pure white and no pure black anywhere on the page.
Also filed under: LayeringAdhesivesPaper stockColourConstraintsToolsInk & paintPockets